Kensington Communications & Creative Anarchy Fonds

Biographical History


Date 1980-

Kensington Communications is a production company founded in 1980 in Toronto’s Kensington Market that has produced documentary and factual films, television shows, and multimedia projects for more than 40 years. Kensington has produced documentaries and series for the CBC and NFB, and its productions have been broadcast internationally on Discovery Channel, TLC, BBC, ZDF Arte, and other networks.
Early productions in the 1980s focused on social issues such as blended families (Stepdancing, 1986), youth suicide (Childhood’s End, 1981), and addiction (Out of the Past, 1989).
Many of Kensington’s productions have featured Earth’s natural environment and human activities that threaten it: Fragile Harvest (1986, the Nature of Things), Sacred Rhythm (1990), Sacred Balance with David Suzuki (2002), and Port Hope: A Question of Power (2005, The Nature of Things).
Kensington also has a history of producing iconic music documentaries. One Warm Line: The Legacy of Stan Rogers (1990), Mariposa: Under a Stormy Sky (1990), My Beat: The Life & Times of Bruce Cockburn (2001), and the City Sonic App (2009) all highlight Canadian music and musicians.
Kensington Communications worked with Bruce Cockburn over decades from the 1980s to the 2010s to produce short documentaries and advertisements for USC (formerly known as the Unitarian Service Committee of Canada) about their work in Nepal.
Kensington produced two successful crime series that focused on the role of forensics in solving real crimes – Exhibit A: Secrets of Forensic Science, and 72 Hours: True Crime.
Recent TV productions include The Shadow Of Gold (2019), Risk Factor (2017), The Equalizer (2016), and three seasons of the popular international TV series Museum Secrets, which goes behind the scenes at great museums of the world.
Kensington Communications has also been a leader in using multimedia websites to enhance documentary and television content. River of Sand, Sacred Balance, Diamond Road, Raw Opium, and Museum Secrets all included website content. Museum Secrets included a tie-in app called Scopify to help visitors navigate the Royal Ontario Museum, and the documentary Risk Factor was accompanied by the Risk Navigator app.

Extent and Medium

Video
• 296 video cassettes: Digital Betacam (ca. 143 hrs)
• 290 video cassettes: Betacam SP (ca. 117 hrs)
• 1 video cassette: Betacam SX (ca. 30 mins)
• 2 video cassettes: Betacam (ca. 1 hr)
• 1 video cassette: U-matic (ca. 30 mins)
• 308 video cassettes: DVCPRO50 (ca. 392 hrs)
• 9 video cassettes: VHS (ca. 9 hrs)
• 37 video cassettes: HDCAM SR (ca. 14 hrs)
• 2 video cassettes: HDCAM (ca. 1 hr)
• 199 Professional Discs: XDCAM, 23GB (ca. 150 hrs)
• 286 DVDs (ca. 184 hrs)
Audio
• 72 audio cassettes: DA8 (ca. 41 hrs)
• 1 audio cassette (ca. 1.5 hrs)
• 38 CDs (ca. 52 hrs)
• 31 DVDs (ca. 66 hrs)
Photographic
• 3 DVDs (digital photographs)
• 5 CDs (digital photographs)
Textual
• 1 CD
• 63 Floppy disks ; 3.5 in.
Graphic
• 9 Floppy Disks ; 3.5 in
This fonds consists of two series corresponding to two television programs co-produced by Creative Anarchy:
1. Exhibit A: Secrets of Forensic Science (Seasons 1-5), and its French language counterpart Pieces a Conviction (Season 1-3)
2. 72 Hours: True Crime (Seasons 1-3), and its French language counterpart Indices pour l’Eternite (Season 1-2).

Included are raw footage (here called source tapes - interviews, b-roll, re-enactments, establishing shots, graphics such as newspaper headlines, credits, stock footage), audio elements (stems, dialogue, narration, music, master mixes), and video masters.
There are numerous versions represented in the video masters including closed captioned distribution master, anamorphic version, layback master, PAL master (U.K.), “Teaser” version, APTN version, Astraltech version, Canal D version, CBC broadcast version, ContentFilm PLC version, and Discovery Canada version.

Textual and photographic records related to Exhibit A and 72 Hours can be found in the Kensington Communications Fonds, accession number 2018.017.

Conditions governing access

Preservation concerns may limit access, consult archivist.

Kensington Communications & Creative Anarchy Fonds

Description
This fonds consists of two series corresponding to two television programs co-produced by Creative Anarchy: 1. Exhibit A: Secrets of Forensic Science (Seasons 1-5), and its French language counterpart Pieces a Conviction (Season 1-3) 2. 72 Hours: True Crime (Seasons 1-3), and its French language counterpart Indices pour l’Eternite (Season 1-2). Included are raw footage (here called source tapes - interviews, b-roll, re-enactments, establishing shots, graphics such as newspaper headlines, credits, stock footage), audio elements (stems, dialogue, narration, music, master mixes), and video masters. There are numerous versions represented in the video masters including closed captioned distribution master, anamorphic version, layback master, PAL master (U.K.), “Teaser” version, APTN version, Astraltech version, Canal D version, CBC broadcast version, ContentFilm PLC version, and Discovery Canada version. Textual and photographic records related to Exhibit A and 72 Hours can be found in the Kensington Communications Fonds, accession number 2018.017.
Extent and Medium
Video
• 296 video cassettes: Digital Betacam (ca. 143 hrs)
• 290 video cassettes: Betacam SP (ca. 117 hrs)
• 1 video cassette: Betacam SX (ca. 30 mins)
• 2 video cassettes: Betacam (ca. 1 hr)
• 1 video cassette: U-matic (ca. 30 mins)
• 308 video cassettes: DVCPRO50 (ca. 392 hrs)
• 9 video cassettes: VHS (ca. 9 hrs)
• 37 video cassettes: HDCAM SR (ca. 14 hrs)
• 2 video cassettes: HDCAM (ca. 1 hr)
• 199 Professional Discs: XDCAM, 23GB (ca. 150 hrs)
• 286 DVDs (ca. 184 hrs)
Audio
• 72 audio cassettes: DA8 (ca. 41 hrs)
• 1 audio cassette (ca. 1.5 hrs)
• 38 CDs (ca. 52 hrs)
• 31 DVDs (ca. 66 hrs)
Photographic
• 3 DVDs (digital photographs)
• 5 CDs (digital photographs)
Textual
• 1 CD
• 63 Floppy disks ; 3.5 in.
Graphic
• 9 Floppy Disks ; 3.5 in