The first series, Textual Material, includes files documenting development, research, financing, preliminary working budgets, casting legal documents, producer’s treatments, schedules, original scripts, licensing agreements, promotional materials and reviews. Hinch’s diaries from his time at CBC may be of particular interest.
The second series, Photographic Material/Artwork, includes publicity and production stills documenting all stages of production for Glory Enough for All. This series also includes 15 set sketches and posters for that production, as well as posters for The Newcomers.
The third series, Audio Material, includes master mixes for most versions of Glory Enough for All.
The fourth series, Video Material, consists of video elements that support masters produced for television broadcast.
The fifth series, Cinefilms, comprises elements for Glory Enough for All, as well as 18 release prints from the Imperial Oil film series.
This fonds includes textual material relating to the following productions:
The Newcomers (Television, 1977)
The Dining Room (Live performance, 1984)
Glory Enough for All (Television, 1988)
Sunshine Boys (Live performance, 1986)
Sullivan & Gilbert (Television, 1988)
This fonds includes audiovisual material relating to the following productions:
Stravinsky (Television, 1965)
The Painted Door (Television, 1966)
New Bottles New Wine (Television, 1966)\
The Orange Sailed Cutter (Television, 1966)
Three Penny Profile (Television, 1966)
Dylan Thomas Revisited (Television, 1966)
You Can Always Learn from a Lady (Television, 1966)
On Camera ’69 (Film, 1970)
Winter Voyage (Film, 1971)
15,000 People in 1,500 Places (Film, 1972)
Edge of Evolution (Film, 1974)
The Great Canadian Energy Saga (Film, 1975)
Wilderness Nomads (Film, 1976)
The Newcomers (Television, 1977)
Objective Energy (Film, 1978)
Leaving Something Over (Film, 1981)
Glory Enough for All (Television, 1988)
La Gloire en Partage (Television, 1988)
Masterpiece Theatre (Television, 1989)